Great ressource
I just stumbled onto another great resource for anyone interested in the classical saxophone field.
Jean-Marie Londeix, who we all know as not only a great virtuoso, a compelling teacher but also a leader in saxophone research. He has created an Association of the European Center for Saxophone (E.C.S.) which is based in Bordeaux, France.
The E.C.S. is an archive of material which Londeix has donated to the city of Bordeaux. Anyone who knows Londeix will be well aware that his research has been extensive and exhaustive. So one can only imagine the depth of this source of material.
To accompany this archive is the creation of a web site where Londeix is a member of an international editorial board which includes Paul Bro (Professor, Indiana State University, Terre Haute, Indiana, USA) and William Street (Professor, University of Alberta, Edmonton, Alberta, Canada).
The site, SaxAmE (The Saxophone in American and Europe) is a repository of a number of interesting material including letters from prominent composers and saxophonists, lists of books, music and other topics. There are also a number of photos and some sound clips, including performances by Londeix.
What a web site should be like
All I have to say is WOW !
I just visited the website of composer Jacob ter Veldhuis.
And all I have to say is WOW !
This is what a composer website should be like. I usually skip over the often innocuous, insipid flash intros that pepper the internet these days. But this time, I was compelled to stick it out. And it was well worth the look see. The flash is a compelling introduction to a great looking website full of information and web media, be they graphic, audio or video clips. Simple navigation and beautiful layout. What more can you ask for?
Well great content helps. And JacobTV, as he refers to himself on the web, provides this with his personal style of music making.
Jacob ter Veldhuis is well known in saxophone circles for pieces for sax & boombox (or ghetto blasters if you prefer). My first encounter with his music was a performance of Blast It by Arno Bornkamp at the Montreal World Saxophone Congress in 2000. There is a clip of the piece in the Audio section of the site. A definite crowd pleaser.
Subway Bell(s) and whistles
Just read an interesting article at the Washington Post. Some of you may have heard of the stunt played out by Joshua Bell (you know, the Red Violin guy) playing in a subway station.
Fascinating story with video clips. Also includes an audio of the full 40 + minutes of Bell's performance.
The results makes one wonder on the pertinence all classical musicians have in today's rushed world.
You can make your own judgment after reading this:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html?hpid=artslot
(Thanks to Alan Holley on the NASA list for pointing me to this page. I had been hearing about it but had not yet seen it until his mentioning it.)Saxophone and the orchestra
Ornette Coleman wins the Pulitzer
It's been announced that Ornette Coleman has just been awarded the 2007 Pulitzer Prize in Music.
The prize is for a distinguished musical composition by an American composer that has had its first performance or recording in the United States during the previous year. This is the first time in the history of the Pulitzer Prize in Music was awarded for a recording.
The Pulitzer Prize have also awarded John Coltrane a posthumous special citation "for his masterful improvisation, supreme musicianship and iconic centrality to the history of jazz." (from the 2007 page of http://www.pulitzer.org/ )
Links:
Where in the World is...
Thought I'd bring up a pet peeve of mine. Nothing like a little international intrigue to start things off on this site. [insert a little smile here]
Where is the World Saxophone Congress. Well, actually, it's more about who is in the World Saxophone Congress International Comity? Or should that be what is the WSCIC?
For those of you who do not know about this organization [shame on you], It's an international conference which is held every three years. The last conference was held in Slovenia last year and the next his scheduled to be held in Bangkok. (Here is a link to the Slovenia site)
Having been personally involved in organizing one of these events, here in Montreal in 2000 (you can visit our site which is still up at XII World Saxophone Congress) I can attest to the interest and importance these events hold for all saxophonists, especially those who perform in the "classical" style. Also to the hard work and dedication which is needed to pull these things off.
[Let me take a moment to salute all those courageous souls who are crazy enough, about the
saxophone, to dedicate themselves in these endeavors.]
Here's a little history about the Congress. The first one was organized by Paul Brodie and Eugene Rousseau and was held in Chicago in 1969 with a few dozen participants from several countries (Donald Sinta was elected chairman at the time). It was followed the next year with another meeting, also held in Chicago. It has been held ever since at varying intervals to finally end up today being a very large assembly of over a thousand participants from all over the world.
Welcome to the first blog
Hi all,
I'm starting this blog were I intend to talk about my great passion: the saxophone. I've been playing the instrument more years than I care to mention, and I still find a fascination with the possiblities of this great instrument.
But I don't intend discussing the technical aspects of performance, although that may come up from time to time. What I am more interested in doing is to investigate the music itself. And that won't necesseraly be limited to uniquely saxophone pieces, but may cover other music by composers who have worked with the saxophone in some way or other.
Most people associate the saxophone with jazz. This is of course quite understandable. Contributions by so many great talents in the jazz field, such as Coleman Hawkins, Charlie Parker, John Coltrane, et al. cannot be denied. But the saxophone is so much more and has touched so many more musical styles and events.
For those who do not know, the name of the blog: Mule's Rasch, is my little tribute to the father's of 20th century classical saxophone, Marcel Mule and Sigurd Rascher. These two gentlement have the merit of being the pioneers of modern classical saxophone performance. They have contributed not only through their performance, but also through their teachings and with their work with composers to establish the saxophones legitimization in the classical music field.